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・ Maurice Fisher
・ Maurice Fitzgerald
・ Maurice Fitzgerald (footballer)
・ Maurice FitzGerald, 14th Knight of Kerry
・ Maurice FitzGerald, 16th Knight of Kerry
・ Maurice FitzGerald, 18th Knight of Kerry
・ Maurice FitzGerald, 1st Earl of Desmond
・ Maurice FitzGerald, 2nd Earl of Desmond
・ Maurice FitzGerald, 2nd Lord of Offaly
・ Maurice FitzGerald, 3rd Lord of Offaly
・ Maurice FitzGerald, 4th Earl of Kildare
・ Maurice Deegan
・ Maurice Degrelle
・ Maurice Dekobra
・ Maurice Delafosse
Maurice Delage
・ Maurice Delarue
・ Maurice Deloraine
・ Maurice DeLory
・ Maurice Delvart
・ Maurice Denham
・ Maurice Denis
・ Maurice Dennis
・ Maurice Denys
・ Maurice Denys (Sheriff)
・ Maurice Deprez
・ Maurice Desaymonnet
・ Maurice Desfassiaux
・ Maurice Desimpelaere
・ Maurice Dessertenne


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Maurice Delage : ウィキペディア英語版
Maurice Delage

Maurice Delage (13 November 1879 – 21 September 1961) was a French composer and pianist.
==Biography==
Delage was born and died in Paris. He first worked as a clerk for a maritime agency in Paris and later as a fishmonger in Boulogne. He also had a stint in the French army before embarking on a music career in his twenties.〔M D Calvocoressi (1933) ''Musicians gallery; music and ballet in Paris and London'', Faber and Faber Ltd, London 〕 A student of Ravel, who proclaimed him one of the supreme French composers of his day,〔("Program notes" ), Contemporary Directions Ensemble, Concert, University of Michigan School of Music, Theatre & Dance Miscellaneous Publications (1980)〕 and member of Les Apaches, he was influenced by travels to India and Japan in 1912, when he accompanied his father on a business trip.〔Jann Pasler (1986) (''Confronting Stravinsky: Man, Musician, and Modernist'' ), p.278, University of California Press ISBN 978-0-52005-403-5〕 Ravel's "La vallée des cloches" from ''Miroirs'' was dedicated to Delage.
Delage's best known piece is ''Quatre poèmes hindous'' (1912–1913).〔Georges Jean-Aubry (1917) (''An Introduction to French Music'' ), p.67, Cecil Palmer & Hayward, London〕 His ''Ragamalika'' (1912–1922), based on the classical music of India, is also significant in that it calls for prepared piano; the score specifies that a piece of cardboard be placed under the strings of the B-flat in the second line of the bass clef to dampen the sound, imitating the sound of an Indian drum.

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